PORTRAIT OF A LADY ON FIRE

‘Portrait of a Lady on Fire’ Review: Still Life in Motion

The first hour of Céline Sciamma’s Portrait of a Lady on Fire is a study in restraint, quiet and reserved with neither visual flourishes nor music — with the exception of portraitist Marianne’s (Noémie Merlant) halting harpsichord rendition of the Presto from ‘Summer’ from Vivaldi’s Four Seasons — to entice…

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Portrait of a Lady on Fire

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