‘Adios’ Review: So Long, Farewell, Aufwiedersehn, Goodnight

In Mischief’s Adios, I am not supposed to stand on the hitman’s head. He’s leaning against the nondescript white van he drove up in, and I can hop on objects to finagle my way up to vehicle’s roof. However, the very second I step off the roof and onto the…

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Adios

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