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Dylan Roth


Star Trek: Discovery Season 4 Episode 7 “…But to Connect” Review

Star Trek: Discovery’s fourth season began with great promise, and after a few rough weeks it now feels like the show is back at full speed. “…But to Connect” is one of the strongest episodes of Discovery to date, conjoining a classic Trek “message” plot with some tense character drama…

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Star Trek: Discovery

TV/FILM

Star Trek: Discovery Season 4 Episode 6 “Stormy Weather”

All season, the producers of Discovery have seemingly tried to incorporate more classic Star Trek flavor into the new show’s recipe. The results have been mixed, as Discovery’s format of juggling self-contained stories alongside chapters from ongoing arcs hasn’t always allowed for the old school “dilemmas of the week” to…

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Star Trek: Discovery

TV/FILM

“Mother/Android” Review: The Apocalypse is a Real Downer

Earlier this year, I happened across Little Fish, an indie sci-fi romance that I now count as one of my favorite films of 2021. Little Fish follows a couple, deeply in love, struggling to maintain their relationship in the face of a slow-burning viral apocalypse. When I learned that Mattson…

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Mother/Android

TV/FILM

“Spider-Man: No Way Home” Review: Greatest Hits

The Spider-Man film franchise has the dubious distinction of having been rebooted twice in the space of a decade. The first Spider-Man trilogy, directed by Sam Raimi and starring Tobey Maguire, launched in 2002 and defined the superhero film genre for a generation. The hasty 2012 Amazing Spider-Man relaunch led…

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Spider-Man: No Way Home

TV/FILM

Star Trek: Discovery Season 4 Episode 5 Review: “The Examples”

For the past few weeks on Star Trek: Discovery, the storytellers have struggled to deliver self-contained adventures while still dedicating time to advancing the season’s ongoing character arcs and mystery plot. There’s still not quite as much meat on the bone as I’d like, but “The Examples” succeeds where the…

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Star Trek: Discovery

TV/FILM

‘Don’t Look Up’ Review: Death From Above

In 2017, two years after stepping down as showrunner of the HBO comedy Veep, veteran political satirist Armando Iannucci spoke about his career to a panel at the Sydney Writers Festival. The conversation soon turned to the White House, both the useless West Wing-obsessed Obama Democrats and the newly-installed mad…

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Don't Look Up

REVIEWS

Star Trek: Discovery Season 4 Episode 4 Review: “All is Possible”

In a previous episode review, I praised Discovery for having found a balance between its own identity as a fast-paced, emotionally-charged adventure show and the themes and superficial trappings of a more traditional Star Trek series. This week, however, Discovery’s growing resemblance to Treks past works against it. “All is…

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Star Trek: Discovery

REVIEWS

Star Trek: Discovery Season 4 Episode 3 Review: “Choose to Live”

The first two chapters of Star Trek: Discovery season four introduced us to this year’s ongoing mystery plot, centered around a devastating gravitational anomaly that is roaming the galaxy and swallowing entire planets whole. This week’s new episode, “Choose to Live,” is the first to relegate the big mystery to the…

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Star Trek: Discovery

REVIEWS

The Mass Effect TV Series Won’t Star Your Shepard, and That’s Fine

Just before Thanksgiving, Deadline broke the news that Amazon Studios is in negotiations to adapt BioWare’s beloved sci-fi video game series Mass Effect for television. While no further details have emerged about the project, the announcement alone has stirred up some trepidation among fans. Like its sister series Dragon Age,…

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FEATURES

Star Trek: Discovery Season 4 Episode 2 Review: “Anomaly”

Three years ago, the mark against Discovery was that it “wasn’t really Star Trek.” Granted, every new series since The Next Generation was met with a similar fan response at first, but Discovery did start a bit farther afield than any of its predecessors. While watching this week’s new episode,…

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Star Trek: Discovery

REVIEWS

‘Ghostbusters: Afterlife’ Review: This Does Not Make Me Feel Good

It’s hard for any viewer to walk into a movie theater without some degree of prejudice about what they’re about to see. That’s part of what movie marketing is for, after all, to create a set of expectations. As a film critic, I try to mitigate that prejudice as best…

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Ghostbusters: Afterlife

REVIEWS

Star Trek: Discovery Season 4 Episode 1 Review: “Kobayashi Maru”

When Star Trek: Discovery debuted in 2017, it was a dark, violent prequel series with a serious case of Game of Thrones envy. The show has been reshaped and retooled over three seasons, shedding its original tone and setting in favor of a far-flung, optimistic future centuries beyond the rest…

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REVIEWS

‘Finch’ Review: Bot Baby

It’s been over twenty years since Tom Hanks and director Robert Zemeckis pulled off the massive flex that was Cast Away, a film in which Hanks spends an hour alone on a beach acting against a blood-stained volleyball. Finch, the new post-apocalyptic road movie streaming now on Apple TV+, offers…

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Finch

REVIEWS

‘Eternals’ Review: The Ride Never Ends

From the moment it was announced that celebrated independent filmmaker Chloé Zhao (now the Academy’s reigning Best Director) was attached to direct a Marvel movie, fans have known that they were in for a weird one. How would such a naturalistic, humanist cinematic voice blend with that of a computer-polished,…

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Eternals

REVIEWS

‘Star Trek: Prodigy’ First Look: Trekking Hard or Hardly Trekking?

Since the franchise was relaunched on streaming television in 2017 with Star Trek: Discovery, CBSViacom has sought to expand Star Trek into a four-quadrant brand, something it hasn’t been since the mid-1990s, if ever. Rather than try to mold a single product to satisfy all audiences, producer Alex Kurtzman has…

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Star Trek: Prodigy

REVIEWS

‘Last Night in Soho’ Review: We Have to Go Back

Edgar Wright is a writer-director with a distinctive personal stamp, recognizable for his persistent use of popular music, his meticulous plotting and payoff, and for underlining comedy with cutting and camera movement. He’s one of the most deliberate popular filmmakers around — his films are fun and approachable, but they’re…

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Last Night in Soho

REVIEWS

‘Dune’ Review: Dune Two! Dune Two!

We’re in the midst of a boom period for sci-fi on the small screen. Nearly every streaming service has its own space opera spectacle with production values that rival major motion pictures. Between Foundation, The Expanse, The Mandalorian, and a never-ending parade of Star Trek shows, there’s been little need…

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Dune

REVIEWS

‘Hard Luck Love Song’ Review: An Authentic and Unglamorous Portrait

I tend to have a hard time with movies about pop musicians. Having grown up in a record store and been a performing songwriter for most of my life, I find that movies about music culture have a tendency to inflate its glamor and mystique, and that has a recursive…

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Hard Luck Love Song

TV/FILM

Heels Episode 8 “Double Turn” Recap & Review

When Heels first began, I praised its first episode for delivering “the best parts of wrestling that aren’t wrestling — the soap opera, the family strife, the backstage squabbles — with a level of accuracy that is simplified for the uninitiated but not totally insulting to the smart marks in…

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Heels

REVIEWS

‘No Time to Die’ Review: One Last Ride

Actors who take on the role of secret agent James Bond rarely get to go out on a high note. Sean Connery, Roger Moore, and Pierce Brosnan’s final Bond films (Diamonds are Forever, A View to a Kill, and Die Another Day, respectively) each number among the worst in the…

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No Time to Die

REVIEWS